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Apr. 27th, 2017 08:02 pm
tinhuviel: (Default)

They say that home is where the heart is. If that's the case, I'm headed home no later than the 9th of May, where I shall find my heart resting in the mists of the Smoky Mountains.

At 6:30 this morning, my phone rang.  It was Janice. She had heard from the lawyer, who told her that a Tracy Evans had a $14,000.00 lien on her name, and had been so since 2009. He told Janice that he'd need my social security number to compare with his records, to verify that the Tracy Evans in question was not, in fact, me. Well, I'd already read up on Ms. Evans when I did my own documents search at the Clerk of Court's website. This Tracy lives in Boiling Springs, a town I've only visited like 6 times total. Anyway, I gave her my social security number and we hung up so she could provide the info to her lawyer.

About 15 minutes later, my phone rang again, and it was Janice, again.  The lawyer did his comparison dealio, confirming that my name is in the clear. She said that, if she could get Johnna to watch Uncle Michael long enough for her to dash up to Duncan, she would go ahead and transfer the money to my account.

Waves of relief washed over me in that instance! I continued to get ready and head in to the outpatient program, and it took me hardly any time at all, thanks to that bounce that suddenly showed up in my step! My fellow outpatient attendees were all super jacked at my good news, but none more so than I!  By the time IOP was completed for the day, I checked my bank to find the transfer of funds was in process. Tomorrow, it should be available, so I can proceed with the items I need to purchase for the move, as well as get my plane tickets and maybe even pack up one big box of my stuff and ship it on to Janice ahead of myself and the beasties.

Needless to say, I have offered up multitudinous thanks to the Paniverse*, the Goddess, Elementals, and any other unseen critters who were in attendance at my big honkin' fundage acquisition magickal working, the first spellwork I had attempted since 2009. I deconstructed my money mojo bag, clearing any stones I'd used, and scattering the herbs, roots, and wax beneath the eucalyptus tree.  I buried the bag, along with the parchment stating my intent and need, at the base of the tree.  I did the same with the herbal sachet, scattering the herbs, giving thanks, and burying the bag.  I feel more at peace right now than I have since before 2011.  And it's not just relief at now having the money to move, no, it's a deeper peace than mere relief.  It's the peace one feels when they know in the very marrow of their bones, that the path they are taking is the right one, because everything occurring whilst on that path happens at exactly the right time, or happens in spite of all improbability.  It's the peace of recognising synchronicity and welcoming it into your life.  The kind of peace you experience when you return home, or know you will be.  That is the peace I am feeling, and it is marvelous in every way.

There is a shit tonne of stuff I need to get done, and I have little time left in which to do it.  But I shall prevail! After spending two weeks barely holding myself together from stress and worry, I feel there is nothing I can't do at this time and place in my life.  Of course, I'm not stupid enough to put that to the test.

 

*Kind of like the One Ring of universes, the Paniverse is all verses, and the one reality that can dictate all others that reside within it.
tinhuviel: (Shriekback Logo)

Inspired by listening to Without Real String or Fish, James from Canada (his preferred cognomen) felt compelled to share his thoughts about the mighty “Coelocanth."

Coelocanth: The Last Shriekback Song I Will ever Hear?


So here we are in 2015, and Shriekback have just released their 13th album, Without Real String or Fish. And a most excellent album it is, too: full of the usual Shrieky goodness - clever lyrics and wordplay, groovy basslines, catchy tunes that run the gamut of dark, light, thoughtful, funny and sombre (often at the same time!).

So it is not surprising that while one is feasting on a plate of brand new songs, that one also reflects on a band’s past releases, and how they may have influenced one’s musical tastes, preferences, or - perhaps - one’s life.

In my case, I'd like to look back at one particular song - "Coelocanth" - the atmospheric conclusion to the Oil and Gold LP back in the 80's.  I was a teenager back when Oil and Gold was released, and at the time I preferred all the hard-rockin' tunes like "Nemesis" and "Malaria."  So while I loved most of the Oil and Gold album, I always thought that "Coelocanth" was a piece of crap.  "What the hell is this?" I asked at the time.  "Did Shriekback hire Zamfir and his cheesy pan flues to play on this record?** Awful!"  As far as I was concerned at the time, Oil and Gold finished with the conclusion of "Hammerheads."  And so it went for many years... until Manhunter.

Many Shriekback fans either discovered or re-discovered the band as a result of Michael Mann’s film Manhunter, which featured the Shriek songs “Evaporation,” “This Big Hush,” and “Coelocanth.” For me, when I saw the famous tiger scene in that movie, set to the music of “Coelocanth,” I had a bit of an epiphany. All of a sudden, this song wasn’t a cheesy woodwind “extra” tacked on at the end of Oil and Gold, but something which really penetrated deep down into the soul. I promptly began to listen to “Coelocanth,” and with my ears now finally open (so to speak), I realized just how haunting and beautiful a track it really was.

Back in the late 90’s, I once had a dream about this song. I remember it quite vividly - I was lying on some ocean beach on an alien world, with a huge ringed planet rising in a dark aquamarine sky. I heard “Coelocanth” playing somewhere in the distance, although I knew that I was alone on this planet.

At the time I didn’t give the dream much thought… it was just a cool thing that happened. Well, you can imagine my surprise when several years later, while I was surfing the internet for some new desktop wallpaper for my Mac, I came across this particular image at the Digital Blasphemy website :

This image - minus the palm trees - was almost 100% verbatim what I saw in my dream.  It really chilled me to the bone to see my "vision" realized by some person whom I'd never met.  Of course, I immediately pulled out Oil and Gold and played “Coelocanth,” and found myself thoroughly captivated by the synergy of sound and image…it was absolutely hypnotic, even magical. I had already grown to appreciate that once-belittled track “Coelocanth,” but from the moment I heard it in conjunction with this image from my dream, it just became so much more.

So why is it that I say “Coelocanth” is “the last Shriekback song I will ever hear?” Well, it may not be, but - and this is where I perhaps get a little morbid and over-the-top for some readers, but bear with me - I have for many years thought that “Coelocanth” would be the perfect “last song” for me. The last song is essentially the soundtrack to one’s end: when you’re on your death-bed, and you know that you’ve only got minutes left to live, but you can pick one piece of music to accompany you as you journey out of this world and into “whatever-lies-beyond.”

For me, “Coelocanth” conjures up many feelings and imagery. The obvious one is that of prehistoric fish moving through the dark depths of an ancient ocean. But I also see strange alien landscapes (as in my dream), or even the infinite depths of outer space, filled with stars and galaxies. Combine all that imagery with the background synths and trickling water samples, and you have a concoction that just soothes the soul in a way that’s hard to explain. This is why I would be quite happy to spend my final moments with this song in my head. It really encompasses, well, just about everything, for me. Not bad for a previously-mocked, little 4 minute atmosphere track at the end of a 30-year old album.

So why all the “deep-thought” and rather mawkish gushing over this old song? Well, for me, it really demonstrates what I (and no doubt many other Shriek fans) love about Shriekback. How their music grows on you over time, and how deeply it can affect you. It’s not surprising that I’ve been a fan of the Shrieks since the 80’s: they’ve consistently delivered amazing and diverse music, and the new Without Real String or Fish album continues this tradition. Hopefully there are many more wonderful albums coming from this talented bunch in the years to come.

©James from Canada
8 March, 2015

**with apologies to any fans of Zamfir. I also heartily recommend Digital Blasphemy’s Desktop Wallpaper site. The worlds that this guy creates with 3d software really go well with the whole Shriekback vibe. “Without real worlds or matter”, I guess!

tinhuviel: (Ornate Triskele)
Tree_of_Life_by_Capstoned
"...but don't talk to me about how things happen for a reason, don't talk to me about how you're going to pray for me, don't talk to me about how Jesus saves. If that were the case I'd have a whole lot more of my loved ones around me right now."

(to read the Huffington blog post, Atheism Reaffirmed, from whence this quote came, click the lovely picture above.)


This one perfect [portion of a] sentence flawlessly describes the point at where my lifelong spiritual journey has been going since August 2011. When I began studying Witchcraft in the late 80s, I was particularly struck by the notion that praying or working magick for someone who neither asked, nor gave their permission for you to do so can, at the very least, be perceived as unethical when looking at the deed through the Wiccan Rede. As someone who grew up in an area of America where "I'll pray for you" was a phrase that implicated two very different messages (1. I care about you and only want the best for you in these difficult times and 2. Just you wait - you'll get yours!), I began refraining from imposing my spiritual inclinations, if only indirectly through prayer/magick/whatever, without explicit permission to do so.

When Aunt Tudi died, I was bombarded with declarations, all of which were well-intentioned from people who truly care about me, of: "I will pray for you." Her death had already hurtled me into a crisis of faith, so the innocent efforts on the part of friends and family, fell on increasingly resentful ears. Most of the time, I felt violated in a very profound way, by the very people who meant, and still mean, everything to me. That one simple sentence tipped the balance of my Agnostic Paganism onto a burgeoning Agnostic Atheism. The emotional and psychological landscape in which I found myself, and still do to a slightly lesser degree, found no presence of god, goddess, or anything in between. I began politely requesting that people leave me out of their communications with the deity or deities in which they believe. Most everyone understood why I asked this of them. Some were offended, but came to accept and honour my wishes. A minute number were determined to carry on with their activities, feeling that my request was born out of aftershock, immeasurable grief, and misplaced opposition to faith-based efforts on my behalf, their logic being that, once the initial trauma eased, I would be grateful to them for keeping my spiritual back when my own belief system had been shaken to the point of abandoning it altogether.

The reason why I'm posting this quote and link, and adding my opinions regarding its subject, is to add some perspective for anyone who is suffering in some way, or knows someone in crisis of any kind. The issue of spirituality and the countless religions that have sprung from it is probably the most sensitive in human culture. Before you inadvertently have a hand in someone's loss of faith, think as objectively as you can in a wholly subjective situation. Pray on it, if that's how you address the moments in life that leave you unsure of what you could or should do. Listen to your inner voice and, most importantly, listen to the one for whom you want to pray or hold ritual. Just being there for her/him could be the best thing for them, and may eventually restore faith on its own terms.

I would like to make clear that this is not directed solely at Christians, even though Jesus is mentioned in the sentence that resulted in this post. It is for anyone of any faith to take to heart. With the exception of extremists in any religion, I think that believers are good, well-intentioned, and beautiful people who do what they do out of love. But humans, as is our nature, make mistakes in the name of love. This is a chance to avoid making another one.
tinhuviel: (Kelat)

For some idiotic reason, I had no clue that such a thing as an author's page existed on Amazon, so I'm playing catch-up now. I've uploaded a blurb about The Chalice, which will be live in 3-5 business days, according to Amazon. My page URL is http://www.amazon.com/Tracy-Angelina-Evans, if you're interested to see how I fare in filling in so many long-standing voids.  For now, though, here's what I wrote about book 1:

From the Author

The Chalice was originally born in 1987 from a dream I had about Vampires that involved the songs 'Mercy Street' by Peter Gabriel and 'Theme from Harry's Game' by Clannad.  In my dreamworld, Vampires defined in equal measure both blasphemy and sanctity.  Even though I grew up with Vampire myths and legends, beginning with watching Dark Shadows in my playpen with my mother, I began a quest to learn as much about these beings as I possibly could, from the perspective of the many global cultures from which they sprang.  One of the most influential books in my research was A Dream of Dracula by Leonard Wolf.  Combining his profound scholarship with the myths of an alien race I had been writing about since 1983, I wrote my first short story about a Vampire turning a human to the night over the course of three days.  This was my first Vampire character, Vasily Tenin (Thiyennen), who became one of the main characters in the book series.  Also, in 1987, I read the book Holy Blood, Holy Grail by Michael Baigent, Richard Leigh, and Henry Lincoln.  The idea of the Grail not actually being a cup set fire to my imagination, as did the subtle references to a centuries-long conspiracy that involved the Knights Templar, Freemasonry, and the Illuminati.  A fascination with Romani and Jewish culture also had a major hand in the formation of what would become the first book of The Vampire Relics.


Even though I was doing a great deal of research and myth "redefinition", I still struggled to write anything with which I was comfortable.  The main female character in the bones of The Chalice, Kelat, did not fit my idea of a proper antagonist, especially after I became involved in Goddess worship.  Kelat, for me, was an ideal - a character that accepted herself for what she had become, but never lost her divine identity.  She was an archetype of Kali or the Cailleach made manifest.  I could not make her evil.  So the story languished until 1990, when I discovered Shriekback, whose song 'Deeply Lined Up' gave me my first visions of who would become the primary antagonist in the stories, Cadmus Pariah.

Writer's Block haunted me for years, though, between 1990 and 1999, at which time I began to write Cadmus' biography, which became the chapter in The Chalice entitled 'Sui Generis'.  From there, the writing and myth-making began in earnest, and produced the first book of The Vampire Relics, which was completed in 2005.

My hope is that, when someone reads The Chalice, they are inspired to do their own research on the Vampire phenomenon and its apparent presence throughout the world, despite nations and cultures having no contact with one another at the time rumours of Vampires came to the fore, and seek to learn more about cultures like that of the Romani, as well as mystery traditions practiced by Kabbalists, Gnostics, and Cathars.  It would be heartening to hear of people leaving the book with more questions than answers, so that they might expand their knowledge and the realm of possibilities in this incomprehensible world.  And I would also be very happy to have been instrumental in the broadening of readers' musical tastes by introducing them to artists like Shriekback, Concrete Blonde, ELO, XTC, Oingo Boingo, and composers Antonin Dvoƙák and Johann Sebastian Bach.

Lastly, I hope that American readers come out of The Chalice with the realisation that America has an incredible treasure of strange tales, and a newfound interest in those legends and mysteries, like that of the Roanoke Colony and Virginia Dare.

Please enjoy The Chalice and The Vampire Relics.  Pass the tales on to those you love.  Everyone in this book and the others in the series were written to encourage people to never turn away from the Magick contained in this crazy reality we all share because, if you imagine it or believe it, whatever you believe or imagine exists on some level, and may already be imagining you back.

Even monsters like Cadmus Pariah.



Illustration for the first Vampire story I wrote in 1987, called Vasily's Kiss.

tinhuviel: (Nathor)
Since the loss of my Triskele and pentagram pendants in the E/R in December of last year, I'm once again wearing a piece of magickal jewelry. Here's what it looks like.

 photo IMG_1638.jpg

The main pendant is black tourmaline, with the seven chakra stones inlaid up the front.

Black tourmaline is a grounding stone, and it can purify as well as protect the wearer from negative energy. It is also very healing, which is certainly one thing I always use.

The chakras, from the root up, are garnet, orange calcite, citrine, jade, angelite, sodalite, and amethyst ~ to the best of my knowledge.

We'll see if this magick feather will aid Ms. Dumbo to proceed with hitch-hiking down the Beauty Way once again.
tinhuviel: (Cadmus Dark Eyes)
This is why I love the Internet. When I could, I'd do nice things for people, just because and I believe in the art of karma. That's not to say that the things I did, I did because I was creating a cycle of karma. I did these things because they seemed like the right thing to do, the decent thing to do, the loving thing to do. Now I find myself in a state of paralysis where I cannot work and I have no income. Instead of facing my problems alone, I find myself being surrounded by people I've never even met in person, doing random acts of kindness for me and not expecting anything, not even my gratitude. If a dedicant were to ask me if I believe in the Law of Three, I would tell them that not only do I believe in it, but I have experienced it more than once.

This post is dedicated to [livejournal.com profile] ladyana5, who worked some magick today, even if she thought it was a simple thing to do.

Earthling

Jun. 16th, 2010 09:35 pm
tinhuviel: (Nathor)
For the first time in a long time, I experienced a magickal moment. It was during a rainstorm at Wal-Mart. I was walking out to the car, ahead of Aunt Tudi, and the wind blew the rain in my face. It made me feel like a true Earthling, a creature of this wondrous planet, engaged completely in the phenomenon of rain. I lifted my face to meet the rain as it blew and swirled around me and lifted my palms to embrace the feeling. The feeling was one of the most intense ones I've felt in a very long time and I praised Emshi'shan'ha for her blessing me with it. I'm a huge believer in spontaneous magick, the kind that lifts you out of the mundane and shows you the beauty of the world around you. I'm making a promise to myself to dance in the rain more often, to feel the leaves of the trees and grass, to thank the world for having me. I promise to celebrate the fact that I am an Earthling.

February 2019

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